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<oembed><version>1.0</version><provider_name>John Mortensen</provider_name><provider_url>https://johnmortensen.com/site</provider_url><author_name>admin</author_name><author_url>https://johnmortensen.com/site/author/admin/</author_url><title>The Pianist's Guide to Historic Improvisation &raquo; John Mortensen</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="HdklbWWCQw"&gt;&lt;a href="https://johnmortensen.com/site/the-pianists-guide-to-historic-improvisation/"&gt;The Pianist&#x2019;s Guide to Historic Improvisation&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://johnmortensen.com/site/the-pianists-guide-to-historic-improvisation/embed/#?secret=HdklbWWCQw" width="600" height="338" title="&#x201C;The Pianist&#x2019;s Guide to Historic Improvisation&#x201D; &#x2014; John Mortensen" data-secret="HdklbWWCQw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>Keyboard artists in the time of J.S. Bach were simultaneously performers, composers, and improvisers. By the twentieth century, however, the art of improvisation was all but lost. Today, vanishingly few classically-trained musicians can improvise with fluent, stylistic integrity. Many now question the system of training that leaves players dependent upon the printed page, and would &hellip; Continue reading ""</description><thumbnail_url>http://johnmortensen.com/site/wp-content/uploads/2020/03/Screen-Shot-2020-03-15-at-4.22.14-PM.png</thumbnail_url></oembed>
